Σάββατο 3 Ιουνίου 2023

Rubbish in Mozambique

Londinoupolis

Growing up in a European capital where rubbish is put in the dustbin and from there the rubbish dumps, which I do not know and in a way I don't want to know where they are. People in the cities choose to distance themselves from these facts and get quite annoyed when the trash is not collected on time. 



However we forget various other places around the world which receive our rubbish. It is a fact that trash is moved around, massive quantities are thrown in the oceans and the third world. These of course produce many illnesses and infections to the people close to this 'mountains of rubbish'. 


Are the pictures here the answer to the problem in the 21st century? We have been hearing that a futuristic solution would be to send our rubbish into space. Maybe recycling should be taken more seriously. These images are appalling, showing how colonial attitudes from the Western powers towards the South, mainly Africa, continue even in the post-colonial era. 

 

Πέμπτη 1 Ιουνίου 2023

The first university in the world

Londinoupolis

Alexandria, in Northern Africa, became the most important centre of research and study of the ancient world, due to the policies applied by the Ptolemaic kings after the conquest of Egypt by Alexander the Great. King Ptolemy established in 280 B.C. a museum in the south-west part of the palace which housed foreign visitors, poets, scholars and researchers. There he founded the Serapeion Temple, honouring the God Serapis. 
When Ptolemy II took power he established next to the Temple the Serapeion Library. The Egyptian priest Manetho helped significantly in this project. According to historical sources found in libraries and temples of Memphis in Ain Shams, Manetho created replicas of Egyptian texts in Greek, which were placed in the Serapeion Temple in Alexandria.


Manetho achieved three important goals, first he gave an overview of ancient Egyptian history until the rule of the Ptolemies, secondly he gave a collection of hieroglyphic writings containing philosophical and theological explanations of the world and thirdly he gave numerous references to the natural laws of science.
The library was comprised of general knowledge and philosophical texts of the era form the ancient civilizations of Egypt, Babylon, Syria, Persia and Greece. Also one could find scrolls from difference disciplines, including language, rhetoric, jurisprudence, law, geography, history, philosophy, logic, sport, engineering, medicine, chemistry and physics. This was the first time in history, where human heritage of many civilizations was accumulated into a single place and in a language widely known to countless people, i.e. Greek, making it possible for students from all around the known world to be able to study at this school of thought and science. The Serapeion was hence the first university in the world and it is due to this establishment that countless students studied there from the 3rd century B.C. until the 4th century A.D. 
 

Ota Benga, a Mbuti (Congo pygmy) man, in a human zoo at the Bronx!...

En.wikipedia

Ota Benga at 1904 World's Fair.jpg
Benga at the St. Louis World's Fair, 1904
Born
Mbye Otabenga[1]

c. 1883
Democratic Republic of the Congo (post 1971)
Died (aged 32–33)
Cause of deathSuicide
Resting placeWhite Rock Cemetery, Lynchburg, Virginia
37°23′56.23″N 79°7′58.41″W
OccupationHunting
Height4 ft 11 in (150 cm)
Children2

Ota Benga (c. 1883[2] – March 20, 1916) was a Mbuti (Congo pygmy) man, known for being featured in an exhibit at the 1904 Louisiana Purchase Exposition in St. Louis, Missouri, and as a human zoo exhibit in 1906 at the Bronx Zoo. Benga had been purchased from native African slave traders by the explorer Samuel Phillips Verner,[3] a businessman searching for African people for the exhibition, who took him to the United States. While at the Bronx Zoo, Benga was allowed to walk the grounds before and after he was exhibited in the zoo's Monkey House. Benga was placed in a cage with an orangutan as a lampoon on Darwinism. To enhance the primitive image and presumably protect himself if need be from the ape, he was given a functional bow and arrow. He used this instead to shoot at visitors who mocked him and partially as a result of this the exhibition was ended.[4] Except for a brief visit to Africa with Verner after the close of the St. Louis Fair, Benga lived in the United States, mostly in Virginia, for the rest of his life.

African-American newspapers around the nation published editorials strongly opposing Benga's treatment. Robert Stuart MacArthur, spokesman for a delegation of black churches, petitioned New York City Mayor George B. McClellan Jr. for his release from the Bronx Zoo. In late 1906, the mayor released Benga to the custody of James H. Gordon, who supervised the Howard Colored Orphan Asylum in Brooklyn.

In 1910, Gordon arranged for Benga to be cared for in Lynchburg, Virginia, where he paid for his clothes and to have his sharpened teeth capped. This would enable Benga to be more readily accepted in local society. Benga was tutored in English and began to work at a Lynchburg tobacco factory.

He tried to return to Africa, but the outbreak of World War I in 1914 stopped all ship passenger travel. Benga developed depression, and died by suicide in 1916.[5]

Early life

As a member of the Mbuti people,[6] Ota Benga lived in equatorial forests near the Kasai River in what was then the Congo Free State. His people were attacked by the Force Publique, established by King Leopold II of Belgium as a militia to oppress the local people and communities, most of whom were used as forced laborers in the extraction and exploitation of Congo's massive supply of rubber.[7] Benga's wife and two children were slaughtered; he survived because he was on a hunting expedition when the Force Publique attacked his village. He was later captured by slave traders from the enemy "Baschelel" (Bashilele) tribe.[8][9]

In 1904, American businessman and explorer Samuel Phillips Verner traveled to Africa,[10] under contract from the St. Louis World Fair, to bring back an assortment of pygmies to be part of an exhibition.[11] Verner came across Benga while en route to a Batwa pygmy village visited previously. He purchased Benga from the Bashilele slave traders, giving them a pound of salt and a bolt of cloth in exchange.[12][8] Verner later claimed he had rescued Benga from cannibals.[13]

The two spent several weeks together before reaching the Batwa village. The villagers did not trust the muzungu ("white man"). Verner was unable to recruit any villagers to join him for travel to the United States until Benga said that the muzungu had saved his life, and spoke of the bond that had grown between them and his own curiosity about the world Verner came from. Four Batwa, all male, ultimately decided to accompany them. Verner also recruited other Africans who were not pygmies: five men from the Bakuba, including the son of King Ndombe, ruler of the Bakuba; and other related peoples.[14][15]

Exhibitions

St. Louis World Fair

Benga (second from left) and the Batwa in St. Louis

The group was taken to St. Louis, Missouri, in late June 1904 without Verner, as he had been taken ill with malaria. The Louisiana Purchase Exposition had already begun, and the Africans immediately became the center of attention. Benga was particularly popular, and his name was reported variously by the press as Artiba, Autobank,[16] Ota Bang, and Otabenga. He had an amiable personality, and visitors were eager to see his teeth that had been filed to sharp points in his early youth as ritual decoration. The Africans learned to charge for photographs and performances. One newspaper account promoted Benga as "the only genuine African cannibal in America", and claimed that "[his teeth were] worth the five cents he charges for showing them to visitors".[14]

Benga in 1904

When Verner arrived a month later, he realized the pygmies were more prisoners than performers. Their attempts to congregate peacefully in the forest on Sundays were thwarted by the crowds' fascination with them. McGee's attempts to present a "serious" scientific exhibit were also overturned. On July 28, 1904, the Africans performed to the crowd's preconceived notion that they were "savages", resulting in the First Illinois Regiment being called in to control the mob. Benga and the other Africans eventually performed in a warlike fashion, imitating Native Americans they saw at the Exhibition.[17] The Apache leader Geronimo (featured as "The Human Tyger" – with special dispensation from the Department of War)[16] grew to admire Benga, and gave him one of his arrowheads.[18]

American Museum of Natural History

Benga accompanied Verner when he returned the other Africans to the Congo. He briefly lived amongst the Batwa while continuing to accompany Verner on his African adventures. He married a Batwa woman who later died of snakebite, but little is known of this second marriage. Not feeling that he belonged with the Batwa, Benga chose to return with Verner to the United States.[19]

Verner eventually arranged for Benga to stay in a spare room at the American Museum of Natural History in New York City while he was tending to other business. Verner negotiated with the curator Henry Bumpus over the presentation of his acquisitions from Africa and potential employment. While Bumpus was put off by Verner's request of what he thought was the prohibitively high salary of $175 a month and was not impressed by the man's credentials, he was interested in Benga. Benga initially enjoyed his time at the museum, where he was given a Southern-style linen suit to wear when he entertained. He became homesick for his own culture.[20]

The writers Bradford and Blume imagined[clarification needed] his feelings:

What at first held his attention now made him want to flee. It was maddening to be inside – to be swallowed whole – so long. He had an image of himself, stuffed, behind glass, but somehow still alive, crouching over a fake campfire, feeding meat to a lifeless child. Museum silence became a source of torment, a kind of noise; he needed birdsong, breezes, trees.[21]

The disaffected Benga attempted to find relief by exploiting his employers' presentation of him as a 'savage'. He tried to slip past the guards as a large crowd was leaving the premises; when asked on one occasion to seat a wealthy donor's wife, he pretended to misunderstand, instead hurling the chair across the room, just missing the woman's head. Meanwhile, Verner was struggling financially and had made little progress in his negotiations with the museum. He soon found another home for Benga.[20]

Bronx Zoo

At the suggestion of Bumpus, Verner took Benga to the Bronx Zoo in 1906. William Hornaday, director of the zoo, initially enlisted Benga to help maintain the animal habitats. However, Hornaday saw that people took more notice of Benga than the animals at the zoo, and he eventually created an exhibition to feature Benga.[9] At the zoo, the Mbuti man was allowed to roam the grounds, but there is no record that he was ever paid for his work.[8] He became fond of an orangutan named Dohong, "the presiding genius of the Monkey House", who had been taught to perform tricks and imitate human behavior.[22]

The events leading to his "exhibition" alongside Dohong were gradual:[8] Benga spent some of his time in the Monkey House exhibit, and the zoo encouraged him to hang his hammock there, and to shoot his bow and arrow at a target. On the first day of the exhibit, September 8, 1906, visitors found Benga in the Monkey House.[8]

Ota Benga at the Bronx Zoo in 1906. Only five promotional photos exist of Benga's time here, none of them in the "Monkey House"; cameras were not allowed.[23]

Soon, a sign on the exhibit read:

The African Pygmy, "Ota Benga."

Age, 23 years. Height, 4 feet 11 inches.[a]
Weight, 103 pounds.[b] Brought from the
Kasai River, Congo Free State, South Cen-
tral Africa, by Dr. Samuel P. Verner. Ex-
hibited each afternoon during September.[24]

Hornaday considered the exhibit a valuable spectacle for visitors; he was supported by Madison Grant, Secretary of the New York Zoological Society, who lobbied to put Ota Benga on display alongside apes at the Bronx Zoo. A decade later, Grant became prominent nationally as a racial anthropologist and eugenicist.[25]

African-American clergymen immediately protested to zoo officials about the exhibit. Said James H. Gordon,

Our race, we think, is depressed enough, without exhibiting one of us with the apes ... We think we are worthy of being considered human beings, with souls.[8]

Gordon thought the exhibit was hostile to Christianity and was effectively a promotion of Darwinism:

The Darwinian theory is absolutely opposed to Christianity, and a public demonstration in its favor should not be permitted.[8]

A number of clergymen backed Gordon.[26] In defense of the depiction of Benga as a lesser human, an editorial in The New York Times suggested:

We do not quite understand all the emotion which others are expressing in the matter ... It is absurd to make moan over the imagined humiliation and degradation Benga is suffering. The pygmies ... are very low in the human scale, and the suggestion that Benga should be in a school instead of a cage ignores the high probability that school would be a place ... from which he could draw no advantage whatever. The idea that men are all much alike except as they have had or lacked opportunities for getting an education out of books is now far out of date.[27]

After the controversy, Benga was allowed to roam the grounds of the zoo. In response to the situation, as well as verbal and physical prods from the crowds, he became more mischievous and somewhat violent.[28] Around this time, an article in The New York Times quoted Robert Stuart MacArthur as saying, "It is too bad that there is not some society like the Society for the Prevention of Cruelty to Children. We send our missionaries to Africa to Christianize the people, and then we bring one here to brutalize him."[24]

The zoo finally removed Benga from the grounds. Verner was unsuccessful in his continued search for employment, but he occasionally spoke to Benga. The two had agreed that it was in Benga's best interests to remain in the United States despite the unwelcome spotlight at the zoo.[29]

Toward the end of 1906, Benga was released into Reverend Gordon's custody.[8]

Later life

Gordon placed Benga in the Howard Colored Orphan Asylum, a church-sponsored orphanage in Brooklyn that Gordon supervised. As the unwelcome press attention continued, in January 1910, Gordon arranged for Benga's relocation to Lynchburg, Virginia, where he lived with the family of Gregory W. Hayes.[30]

So that he could more easily be part of local society, Gordon arranged for Benga's teeth to be capped and bought him American-style clothes. He received tutoring from Lynchburg poet Anne Spencer[31] in order to improve his English, and began to attend elementary school at the Baptist Seminary in Lynchburg.[27]

Once he felt his English had improved sufficiently, Benga discontinued his formal education. He began working at a Lynchburg tobacco factory, and began to plan a return to Africa.[32]

Death

In 1914, when World War I broke out, a return to the Congo became impossible as passenger ship traffic ended. Benga became depressed as his hopes for a return to his homeland faded.[32] On March 20, 1916, at the age of 32 or 33, he built a ceremonial fire, chipped off the caps on his teeth, and shot himself in the heart with a borrowed pistol.[33]

Benga was buried in an unmarked grave in the black section of the Old City Cemetery, near his benefactor, Gregory Hayes. At some point, the remains of both men went missing. Local oral history indicates that Hayes and Benga were eventually moved from the Old Cemetery to White Rock Hill Cemetery, a burial ground that later fell into disrepair.[34] Benga received a historic marker in Lynchburg in 2017.[35]

Legacy

Phillips Verner Bradford, the grandson of Samuel Phillips Verner, wrote a book on Benga, entitled Ota Benga: The Pygmy in the Zoo (1992). During his research for the book, Bradford visited the American Museum of Natural History, which holds a life mask and body cast of Ota Benga. The display is still labeled "Pygmy", rather than indicating Benga's name, despite objections beginning a century ago from Verner and repeated by others.[36] Publication of Bradford's book in 1992 inspired widespread interest in Ota Benga's story and stimulated creation of many other works, both fictional and non-fiction, such as:

  • 1994 – John Strand's play, Ota Benga, was produced by the Signature Theater in Arlington, Virginia.[37]
  • 1997 – The play, Ota Benga, Elegy for the Elephant, by Dr. Ben B. Halm, was staged at Fairfield University in Connecticut.[38]
  • 2002 – The Mbuti man was the subject of the short documentary, Ota Benga: A Pygmy in America, directed by Brazilian Alfeu França. He incorporated original movies recorded by Verner in the early 20th century.[39]
  • 2005 – A fictionalized account of his life portrayed in the film Man to Man, starring Joseph Fiennes, Kristin Scott Thomas.
  • 2006 – The Brooklyn-based band Piñataland released a song titled "Ota Benga's Name" on their album Songs from the Forgotten Future Volume 1, which tells the story of Ota Benga.[8]
  • 2007 – McCray's early poems about Benga were adapted as a performance piece; the work debuted at the Columbia Museum of Art in 2007, with McCray as narrator and original music by Kevin Simmonds.
  • 2008 – Benga inspired the character of Ngunda Oti in the film The Curious Case of Benjamin Button.[40]
  • 2010 – The story of Ota Benga was the inspiration for a concept album by the St. Louis musical ensemble May Day Orchestra [41]
  • 2011 – Italian band Mamuthones recorded the song "Ota Benga" in their album Mamuthones.[citation needed]
  • 2012 – Ota Benga Under My Mother's Roof, a poetry collection, was published by Carrie Allen McCray, whose family had taken care of Benga
  • 2012 – Ota Benga the Documentary Film appeared[42]
  • 2015 – Journalist Pamela Newkirk published the biography Spectacle: The Astonishing Life of Ota Benga[43]
  • 2016 – Radio Diaries, a Peabody Award-winning radio show, tells the story of Ota Benga in "The Man in the Zoo" on the Radio Diaries podcast.[44]
  • 2019 – The University of Alabama at Birmingham adapted Ota Benga's story into the musical Savage.[45]
  • 2019 – Williamstown Theatre Festival premiered A Human Being, of a Sort, a play based on Ota Benga's story, written by Jonathan Payne.[46]
  • 2020 – the Wildlife Conservation Society, operator of the Bronx Zoo, apologized for the zoo's treatment of Benga and promotion of eugenics.[47][48]

Similar case

Ishi, a Native American who has been compared to Benga

Similarities have been observed between the treatment of Ota Benga and Ishi. The latter was the sole remaining member of the Yahi Native American tribe, and he was displayed in California around the same period. Ishi died on March 25, 1916, five days after Ota.[49][50]

See also

Footnotes

  • Or 1.50 m
    1. Or 47 kg

    References

  • Graves, Katherine (September 15, 2017). "Ota Benga Honored". The Critograph. Retrieved August 31, 2020.
  • Bradford and Blume (1992), p. 54.
  • Crawford, John R. (1982). "Pioneer African Missionary: Samuel Phillips Verner". Journal of Presbyterian History (1962-1985). 60 (1): 42–57. JSTOR 23328464.
  • "The Language Of Genes" by Steve Jones, p. 197.
  • Evanzz, Karl (1999). The Messenger: The Rise and Fall of Elijah Muhammad. New York: Pantheon Books. ISBN 978-0679442608.
  • Bradford and Blume describe Benga as Mbuti and write, "A feature article described Ota Benga as 'a dwarfy, black specimen of sad-eyed humanity.' He was sad because the others were Batwa but he was not ..." (p. 116). They later mention that he "never fully assimilated into the Batwa" during his time with them. Parezo and Fowler refer to "[t]he Mbuti (Batwa) Pygmies and 'Red Africans'" and note that "McGee called them all Batwa, 'real aboriginals of the Dark Continent' ... [Benga] was slightly taller than the other Pygmies, a characteristic common to his society, the Badinga or Chiri-chiri. Verner considered the Chiri-chiris a Pygmy society, and McGee and the press decided not to quibble over details." (pp. 200–203). Many sources, e.g. Adams 2001, p. 25 and NPR, simply describe him as "a Batwa Pygmy from Africa".
  • "The man who was caged in a zoo | Pamela Newkirk". the Guardian. June 3, 2015. Retrieved May 17, 2022.
  • Keller, Mitch (August 6, 2006). "The Scandal at the Zoo". The New York Times.
  • "Looking Back at the Strange Case of Ota Benga". NPR.org. National Public Radio. Retrieved September 27, 2017.
  • "Caged Congolese teen: Why a zoo took 114 years to apologise". BBC. August 27, 2020.
  • Bradford & Blume 1992, pp. 97–98
  • Bradford & Blume 1992, pp. 102–103
  • "Row Over a Pygmy". Wilkes-Barre Record. Wilkes-Barre, Pennsylvania. September 11, 1906.
  • Parezo & Fowler 2007, p. 204
  • Bradford & Blume 1992, pp. 109–110
  • Bradford & Blume 1992, pp. 12–16
  • Bradford & Blume 1992, pp. 118–121
  • "Oto Benga - Human Zoo Exhibit". The Dabbler. August 23, 2014. Retrieved May 18, 2022.
  • Bradford & Blume 1992, pp. 151–158
  • Bradford & Blume 1992, pp. 159–168
  • Bradford & Blume 1992, pp. 165–166
  • Bradford & Blume 1992, pp. 172–174
  • Bradford & Blume 1992, photo insert.
  • "Man and Monkey Show Disapproved by Clergy". The New York Times. September 10, 1906. p. 1.
  • Bradford & Blume 1992, pp. 173–175
  • Spiro 2008, p. 47
  • Spiro 2008, p. 48
  • Smith (1998). See chapter on Ota Benga.
  • Bradford & Blume 1992, pp. 187–190
  • Bradford & Blume 1992, pp. 191–204
  • Bradford & Blume 1992, pp. 212–213
  • Spiro 2008, p. 49
  • "Ota Benga". Encyclopedia Virginia.
  • Bradford & Blume 1992, p. 231
  • Doss, Catherine (September 12, 2017). "Man caged in NYC zoo to receive historical marker in Lynchburg". WSET. Retrieved February 18, 2020.
  • Laurent, Darrel (May 29, 2005). "Demeaned in Life, Forgotten in Death". The Lynchburg News & Advance. Retrieved April 3, 2006.
  • Ota Benga. Broadway Plays. Archived from the original on August 17, 2010.
  • "Memorial details – Ben Halm". Fairfield University. Archived from the original on November 2, 2007. Retrieved January 6, 2009.
  • Alfeu França (2002). Ota Benga:A Pygmy in America (film).
  • Hornaday, Ann (January 3, 2009). "Basest Instinct: Case of the Zoo Pygmy Exhibited a Familiar Face of Human Nature". Washington Post. Retrieved January 6, 2009.
  • Day, May. Ota Benga. Allmusic.com.
  • "Ota Benga: the Documentary Film". Retrieved January 22, 2019.
  • Newkirk, Pamela (June 2, 2015). Spectacle: The Astonishing Life of Ota Benga. Amistad. ISBN 978-0062201003.
  • The Man in the Zoo, Radio Diaries, March 25, 2016
  • Bryant, Tyler. "UAB - CAS – Department of Theatre - Savage". UAB. Retrieved April 13, 2019.
  • "A Human Being, of a Sort". Williamstown Theatre Festival. Retrieved June 27, 2019.
  • Jacobs, Julia (July 29, 2020). "Racist Incident From Bronx Zoo's Past Draws Apology". The New York Times. ISSN 0362-4331. Retrieved July 30, 2020.
  • "WCS Bronx Zoo Apologizes For 'Disgraceful' Treatment Of Ota Benga, African Man Displayed In Monkey House 114 Years Ago". July 30, 2020.
  • Weaver, Jace (2003). "When the Demons Came: (Retro)Spectacle among the Savages". In Kroeber, Karl; Kroeber, Clifton B. (eds.). Ishi in Three Centuries. Lincoln: University of Nebraska Press. p. 41. ISBN 978-0-8032-2757-6.
    1. Kroeber, Karl; Kroeber, Clifton B., eds. (2003). Ishi in Three Centuries. Lincoln: University of Nebraska Press. p. 41. ISBN 978-0803227576.

    Bibliography

    • Adams, Rachel (2001). Sideshow U.S.A: Freaks and the American Cultural Imagination. Chicago: University of Chicago Press. ISBN 978-0-226-00539-3.
    • Bradford, Phillips Verner; Blume, Harvey (1992). Ota Benga: The Pygmy in the Zoo. New York: St. Martins Press. ISBN 978-0-312-08276-5.
    • McCray, Carrie Allen (2012). Kevin Simmonds (ed.). Ota Benga under My Mother's Roof. Columbia: University of South Carolina Press. ISBN 978-1-61117-085-6.
    • Newkirk, Pamela (2015). Spectacle: The Astonishing Life of Ota Benga. New York: Amistad. ISBN 978-0-06-220100-3.
    • Parezo, Nancy J.; Fowler, Don D. (2007). Anthropology Goes to the Fair: The 1904 Louisiana Purchase Exposition. Lincoln: University of Nebraska Press. ISBN 978-0-8032-3759-9.
    • Smith, Ken (1998). Raw Deal: Horrible and Ironic Stories of Forgotten Americans. New York: Blast Books. ISBN 978-0-922233-20-5.
    • Spiro, Jonathan Peter (2008). Defending the Master Race: Conservation, Eugenics, and the Legacy of Madison Grant. Burlington: University of Vermont Press. pp. 43–51. ISBN 978-1-58465-715-6.

    External links

     

    Δευτέρα 29 Μαΐου 2023

    Η φρικτή ιστορία του Ota: Η «πολιτισμένη Δύση» τον εξέθετε μαζί με τους πιθήκους!



    Έκτακτο παράρτημα

    Το 1904, ο Αφρικανός γηγενής Ota Benga απήχθη από το Κονγκό και μεταφέρθηκε στις Ηνωμένες Πολιτείες, όπου εκτέθηκε σε ζωολογικό κήπο δίπλα σε πιθήκους!

    Η τραγική ιστορία του αποκαλύπτει τις απαρχές της διαρκούς φυλετικής προκατάληψης που αποκαλύπτει την απομάκρυνση της λεγόμενης πολιτισμένης Δύσης από τις ρίζες του πολιτισμού. Την Αρχαία Ελλάδα και το Βυζάντιο! Ακόμα και στις πιο μαύρες και δύσκολες εποχές της ιστορίας, ουδέποτε υπήρξαν τέτοια φαινόμενα κτηνωδίας, όπου υπήρχαν Έλληνες ή ορθόδοξοι χριστιανοί..

    Τη Δευτέρα, 10 Σεπτεμβρίου 1906, Αφροαμερικανοί που είχαν κληθεί σε μια επείγουσα συνάντηση στην Εκκλησία των Βαπτιστών Mount Olivet του Χάρλεμ εξέφρασαν την απύθμενη οργή τους. Σύμφωνα με άρθρο των New York Times την προηγούμενη μέρα, ένας νεαρός Αφρικανός, που αναφέρεται ως «πυγμαίος», φέρεται να είχε εκτεθεί στο κλουβί των πιθήκων του μεγαλύτερου ζωολογικού κήπου της πόλης. Επρόκειτο για ένα καθαρά διαφημιστικό άρθρο, ώστε να τραβήξει επισκέπτες στον ζωολογικό κήπο όπου διαδραματιζόταν αυτό το αίσχος!

    Ο τίτλος της εφημερίδας έγραφε: «Ο Μπούσμαν μοιράζεται ένα κλουβί με τους πιθήκους του Μπρονξ Παρκ». Μεγάλα πλήθη, που αριθμούσαν έως και 500 άτομα, συγκεντρώθηκαν στο κλουβί για να θαυμάσουν τον Ota Benga, έναν βραχύσωμο Αφρικανό.

    Για να προσελκύσει περισσότερους θεατές έπειτα από το αφιέρωμα των New York Times, ο Benga μεταφέρθηκε από ένα μικρότερο κλουβί χιμπατζήδων σε ένα πολύ μεγαλύτερο, κάνοντάς τον πιο «ορατό».

    Στον ίδιο περίβολο τοποθετήθηκε και ένας ουρακοτάγκος με το όνομα Dohang. Ο Benga, που φαινόταν πολύ νεότερος από την ηλικία των 23 ετών, καθόταν ακίνητος σε ένα σκαμνί, κοιτάζοντας μέσα από τα κάγκελα καθώς τα πλήθη συγκεντρώνονταν για να τον χλευάσουν.

    Σαράντα χρόνια μετά την κατάργηση της δουλείας στην Αμερική, οι Ζωολογικοί Κήποι της Νέας Υόρκης παρουσίασαν ένα φανερά στενοχωρημένο Αφρικανό αγόρι δίπλα σε γορίλες, υπογραμμίζοντας την ευάλωτη θέση των μαύρων ακομμάτιστος και στην πρωτεύουσα της χώρας. Η παράσταση αντιμετωπίστηκε με ενθουσιασμό από μέσα ενημέρωσης της Νέας Υόρκης, επιστήμονες, δημόσιους αξιωματούχους και απλούς πολίτες, ενώ «Αφροαμερικανοί» υπουργοί και μια χούφτα από φιλάνθρωπους λευκούς βρέθηκαν απομονωμένοι απέναντι σε έναν τοίχο αδιαφορίας από τη λευκή κοινωνία.

    Μέχρι το τέλος Σεπτεμβρίου, πάνω από 220.000 άτομα είχαν επισκεφθεί τον ζωολογικό κήπο, διπλάσιος αριθμός σε σύγκριση με τον ίδιο μήνα του προηγούμενου έτους. Σχεδόν όλοι κατευθύνθηκαν κατευθείαν στο σπίτι των πρωτευόντων για να δουν τον Ota Benga. Με την ευγενική χορηγία των New York Times!

    Η αιχμαλωσία του έγινε τελικά θέμα εθνικών και διεθνών πρωτοσέλιδων. Οι Αφροαμερικανοί πάστορες το θεώρησαν ως μια συγκλονιστική μαρτυρία για την υποτίμηση της ζωής τους από τους συμπατριώτες τους Αμερικανούς, καθώς ένας δικός τους ζούσε ανάμεσα σε πιθήκους.

    Όσο για τους New York Times; Προσπαθούν απεγνωσμένα να σβήσουν αυτό το σκοτεινό παρελθόν και την απανθρωπιά τους.

    Ολυμπία